We are almost to September and about to enter the coveted Fall which will usher in the films studios release for awards consideration, i.e. Fall is when the good stuff comes out. But, many good films have come out thus far. Here is a look at the top 5:
5) Rise of the Planet of the Apes- Coming off the Tim Burton fiasco of 2001, I think most people had their doubts about this going in, but, man, were those doubts unfounded. Not only is this the best "Apes" film besides the original 1968 classic, it is an engrossing sci-fi film in its own right and a great origin story for kick-starting the series. Talk has been growing online as of late for Andy Serkis's performance as Caesar and whether or not a motion-capture performance should be nominated for an Oscar. If his Gollum should have been nominated, his Caesar overwhelmingly should. I'm ready for the sequel.
4) Crazy Stupid Love, Midnight in Paris- A tie here for two fantastic romantic comedies. "Crazy Stupid Love" affirms Steve Carell as one of my favorite actors, Emma Stone as someone to watch out for, and Marisa Tomei as someone I could watch read the phonebook. It's interconnectedness and somewhat at times strong schmaltzy and cheesy nature conjures "Love Actually", but this, actually, is better. "Midnight in Paris" is just plain fun. Woody Allen really has not made a movie this fun to watch since "Match Point" and it is a true celebration of the City of Lights. And in Owen Wilson, Allen has found an actor to play the "Woody Allen" character better than other actors in quite sometime.
3) Cave of Forgotten Dreams- I could listen to Werner Herzog narrate anything, but that wonderful voice would be nothing without a compelling story, and this latest Herzog documentary does not disappoint. Joining "Grizzly Man" and "Encounters at the End of the World", Herzog has crafted a documentary of natural awe and wonder. Exploring a cave in the south of France, Herzog presents to us the oldest known cave drawings in the history of the world. We wonder along with Herzog, as we descend into the cave: who made these drawings? what were their lives like? what did they dream? We wonder the answers as we wonder and explore through the cave with Herzog. Amazing stuff to see on the big screen.
5) Rise of the Planet of the Apes- Coming off the Tim Burton fiasco of 2001, I think most people had their doubts about this going in, but, man, were those doubts unfounded. Not only is this the best "Apes" film besides the original 1968 classic, it is an engrossing sci-fi film in its own right and a great origin story for kick-starting the series. Talk has been growing online as of late for Andy Serkis's performance as Caesar and whether or not a motion-capture performance should be nominated for an Oscar. If his Gollum should have been nominated, his Caesar overwhelmingly should. I'm ready for the sequel.
4) Crazy Stupid Love, Midnight in Paris- A tie here for two fantastic romantic comedies. "Crazy Stupid Love" affirms Steve Carell as one of my favorite actors, Emma Stone as someone to watch out for, and Marisa Tomei as someone I could watch read the phonebook. It's interconnectedness and somewhat at times strong schmaltzy and cheesy nature conjures "Love Actually", but this, actually, is better. "Midnight in Paris" is just plain fun. Woody Allen really has not made a movie this fun to watch since "Match Point" and it is a true celebration of the City of Lights. And in Owen Wilson, Allen has found an actor to play the "Woody Allen" character better than other actors in quite sometime.
3) Cave of Forgotten Dreams- I could listen to Werner Herzog narrate anything, but that wonderful voice would be nothing without a compelling story, and this latest Herzog documentary does not disappoint. Joining "Grizzly Man" and "Encounters at the End of the World", Herzog has crafted a documentary of natural awe and wonder. Exploring a cave in the south of France, Herzog presents to us the oldest known cave drawings in the history of the world. We wonder along with Herzog, as we descend into the cave: who made these drawings? what were their lives like? what did they dream? We wonder the answers as we wonder and explore through the cave with Herzog. Amazing stuff to see on the big screen.
2) Harry Potter and the Deathly Hallows, Part II- This could not have ended better. The series ends in grand fashion with one of its best entries. The standout is Alan Rickman, who adds depth, character, and, in a way, humanity to his portrayal of Snape. With "Part II", the "Harry Potter" films firmly stand alongside "Star Wars" and "Indiana Jones" as one of the greatest sagas in movie history.
1) Super 8- My favorite movie of the year so far. J.J. Abrams crafts a story of growing up and letting go of the past that echoes the greats of Steven Spielberg's filmography. Imagery in "Super 8" recalls "E.T.", "Close Encounters of the Third Kind", "Jurassic Park", "Jaws", and in the lead child actors, we are reminded of the kids in "The Goonies". Elle Fanning is the standout. As Alice, the lone girl in a group of middle schoolers looking to make an amateur zombie film only to become entagled in disasterous train wreck that sets loose a monster, Fanning is a presence on screen of a true star, an actress in whom when she is not on the screen, we wonder when she will return. It is great performance. The score by Michael Giacchino recalls the great music of John Williams in Spielberg's best. That score reaches its height in the final moments, when the lead characters of Joe, Alice, and their dads gaze at an ascent into the heavens. Joe, mourning the loss of his mother, is able to let go of the past and finally move on with his young life. It is a powerful moment and the best I have seen this summer. I will take the sentimentality and awe of "Super 8" over the dryness and over-ambitiousness of "The Tree of Life" any day of the week.
1) Super 8- My favorite movie of the year so far. J.J. Abrams crafts a story of growing up and letting go of the past that echoes the greats of Steven Spielberg's filmography. Imagery in "Super 8" recalls "E.T.", "Close Encounters of the Third Kind", "Jurassic Park", "Jaws", and in the lead child actors, we are reminded of the kids in "The Goonies". Elle Fanning is the standout. As Alice, the lone girl in a group of middle schoolers looking to make an amateur zombie film only to become entagled in disasterous train wreck that sets loose a monster, Fanning is a presence on screen of a true star, an actress in whom when she is not on the screen, we wonder when she will return. It is great performance. The score by Michael Giacchino recalls the great music of John Williams in Spielberg's best. That score reaches its height in the final moments, when the lead characters of Joe, Alice, and their dads gaze at an ascent into the heavens. Joe, mourning the loss of his mother, is able to let go of the past and finally move on with his young life. It is a powerful moment and the best I have seen this summer. I will take the sentimentality and awe of "Super 8" over the dryness and over-ambitiousness of "The Tree of Life" any day of the week.